Grandaddy “Underneath The Weeping Willow”
“I'll sleep there so soundly until I’m allowed finally to wake and be happy again.”
This is story until now: no one ever believes you when you say you’re alright and then, after not too long they forget you ever weren’t alright to begin with. And you begin to believe them, too. And you begin to realize you can’t even recognize the man you were the day before, the week before, the year before and on back through your father’s eyes and his father’s and soon you’re there in the savannah, experiencing the first heartbreak man ever felt and you’re feeling it imprinting in your DNA and you steel up and promise to be stronger. And you’re reinvented. And you’re a new man.
And if she asks to sleep at your house you’ll always oblige, but only so long as she knows where she’ll be sleeping. And you enjoy the company. But you, for the first time you can ever remember, enjoy going to sleep alone.
Zykos “Understanding Fire”
“Did I hide it all way before coming close to vaguely recall—and if I have it all, passing by, hearing steps, it can't be them running, did they always go flailing around?”
But then everything always catches fire somewhere, doesn’t it? I wanted to make a joke: The PLA took my baby away. Or maybe Dubai-bye-bye. Or Cairo-A-Go-Go. And we can talk all about marriage. And we can talk all about families. Playing grownup. Being grownup. We can talk about all manner of these things. We can talk about your marriage that did happen, or mine that didn’t, or his that will. We could talk about love but we never do anymore. We try to talk about marriage instead.
But we never do, not really. When a thing is sacred that thing is never truly spoken of again. We may invoke it. But we never discuss it of itself. We speak in metaphor, logistics like electrical engineers, not poets.
And then something awful happens. And we tell ourselves we were wholly unprepared. And we try not to wince at our lie.
I’m sorry for the strangers I treat closer than many of my friends. I fall in love at least once a day. And it feels like I’m carving a sculpture from inside the marble.
And you know what I mean.
The National “Karen”
“I’m not taking sides, I don’t think I’ll ever do that again. I’ll end up winning and I won’t know why.”
I’m trying something new here. It’s a blindfolded juggling routine where instead of tossing the eggs in the air I merely assume that they’re all hovering in space in front of me and they’ll never drop and never break and whenever I get around to taking off this blindfold only one egg will be left.
And I will cook that egg.
Isobel Campbell with Mark Lanegan “Revolver”
“At twelve o’clock the bell starts ringing, a dog starts barking, and you’re still missin’.”
There are problems with this plan, though. Foremost among them, I can’t seem to stop peeking through this fucking blindfold.
She’s a sweet kid and just about everything I think I need at this juncture. Then, though, there is the frustration that comes with this everything I think I need.
I’m not used to guys that have, like, actual feelings, I think she said.
Oh, I got feelings for fucking days, I think I replied.
Constantines “Soon Enough”
“Your gentleman father would pray for a daughter as he walked from room to room saying ‘Women are winning the tournament of hearts. Somebody’s got to lose.’”
It isn’t enough, I think, to be alone. I walked around my old neighborhood for a little while yesterday. As I walked out of my suddenly very inconvenient bank I turned north on 9th Avenue and made it about a block and a half before I realized there was nothing for me here now. And so I retreated to this new borough and waited in the train for half an hour, stuck underground, thinking about how panicky I used to get down there when the trains would go motionless.
I wrote a song about a glacier. I sent it to her because I always need to send it to someone immediately.
It didn’t even occur to me to send it to the one before, even though she was always my biggest and probably only true fan.
This is not progress. But this is the lot I was handed. As sow’s ears go, it’s a pretty nice one.
The Whiskey Sharks “Couch in Houston”
“From without and within, it’s razor thin. As it is now, lost in bloom.”
I think of all the incredibly interesting things I’d love to tell these women. They’re strangers to me—something I’m not terribly used to. And they’d never believe me anyway.
I think of all the incredibly moving things I could tell them about themselves. I think of all the ways to make them fall in love with me. I think of how that makes me mildly sociopathic.
I’m a good man, probably the most decent you’ll ever meet, I told her.
I like saying things like this. I like hiding behind hyperbole.
My friends are all so tired and far away. And I’m exhausted at the thought of making nice with every last one of the multitudinous bartenders in my new neighborhood. And anyway I need strangers now. Just one, really. Just one great stranger to make me anonymous and pure, to talk to me in the middle of the night in a dark and drunken place.
A hand on a thigh, a nose in a neck. Whispers and electricity and everything suddenly making sense.
Fleeting, yeah. But perfection usually is.
Eisley “The Winter Song”
“It's that day again, it's that time of year. With our smiling faces we will sing with cheer.”
It snowed today, if just for a moment. I swear I saw it.
And that probably means something.